Twitch Partnership Case Study

Why Twitch Chose This Project

Twitch needed consistent, culturally-driven live programming to fill their broadcast grid and reach new non-gaming demographics. I developed two original competitive formats that delivered 40+ hours of Twitch-exclusive content per month, spiked peak viewership past 1M live concurrents, and helped Twitch convert hip-hop culture audiences into long-term, high-retention platform users.

This initiative directly supported Amazon Music’s strategic expansion into performance-based, culturally anchored live content on Twitch positioning battle rap alongside gaming and creator-led shows as a new pillar in their broadcast identity.

This wasn’t just an event, it was IP architecture. I translated an underground art form into a repeatable broadcast property Twitch could promote, merchandise, and scale like an esport.

40+ Hours Per Month
Weekly • Programming
1M+ Live Viewers
Grand Prix • Finals Peak
$150K+ In Prizes
Grand Prix • S1
15+ Min Avg Watch
Twitch • Front Page
Grand Prix • 2020

The Tournament That Kept Battle Rap Alive

When live events shut down, I built the largest rap battle tournament in history during the height of COVID, keeping fans around the world entertained and giving artists a platform when the industry was frozen.

Built as a Twitch-exclusive seasonal broadcast property to anchor cultural programming during a platform-wide live event drought—designed to fill hours, retain viewers, and onboard new non-gaming audiences.

Creative Direction

  • Led a broadcast-ready identity spanning logos, palettes, motion systems, lower-thirds, timers, match cards, and interstitials.
  • Reinterpreted KOTD’s 2010 Grand Prix DNA into a modern, sports-adjacent visual language optimized for Twitch.
  • Directed cross-channel rollout for Twitch front page, VOD packaging, YouTube thumbnails, and social campaigns to drive weekly appointment viewing.
  • Preserved underground authenticity while elevating presentation to league-level polish under small-room constraints.

Production & Operations

  • Ran a rolling production tour across multiple cities under active pandemic restrictions with small-room, limited-attendance builds.
  • Managed logistics end-to-end: routing, venue access, crews, artist travel and hotels, testing compliance, isolation timing, and contingency rebooking.
  • Authored SOPs for pre-event check-in, safety briefings, slim-crew builds, rapid strikes, and time-coded run-of-show pacing for live broadcast.
  • Oversaw full financial architecture from concept to finish line including $50,000 championship prize distribution and six-figure artist payroll and operational disbursements.

Format Design

  • Revived the Grand Prix as a high-stakes regional bracket with unambiguous advancement and elimination rules.
  • Implemented 4-week prep windows between rounds to increase performance quality and narrative anticipation.
  • Built a weekly content cadence, faceoffs, features, and recaps to sustain momentum and meet Twitch’s programming expectations.
  • Engineered competitive integrity by creating a standardized 10-point battle scoring system paired with a meta-ranking algorithm that graded judges themselves, ensuring the most accurate evaluators staffed the playoffs and finals.

Impact

  • Peaked at 1M+ concurrent live viewers with global front-page Twitch placement during finals weekend.
  • Kept battle culture active through the harshest period for live entertainment and stabilized KOTD’s ecosystem.
  • Proved the digital tournament model at scale and unlocked the runway for Season One’s expansion.
  • Established a repeatable blueprint for lean, high-stakes, broadcast-quality battle rap.
Division reps photo
$50,000 finals matchup flyer
KOTD Grand Prix final moments

Over 1 Million Live Concurrent Viewers; A Global Twitch Takeover

KOTD Grand Prix full tournament bracket

Grand Prix Content & Special Viral Moments

Including the Dizaster vs Frak moment from the West Coast Division - a YouTube Short that organically exploded to 24M+ views across global feeds, becoming one of the most circulated clips in battle rap history.

KOTD × Twitch • Season One (S1) • August 2021 – April 2022

The First-Ever Battle Rap Season on Twitch

Spanning four cities and 48 contracted artists, S1 ran from August 2021 to April 2022 with a fully programmed 40-hour weekly content slate including live events, faceoffs, recaps and editorial shows. I built a rolling production ecosystem with regional reps, salary caps, judging infrastructure and consistent front-page Twitch placement, turning battle rap into a broadcast property rather than a series of isolated events.

S1 — League Architecture, Integrity Systems & Weekly Broadcast

A season-first model for battle rap: four regional divisions, a transparent scoring framework, salaried rosters under strict caps, and a weekly content cadence designed to meet Twitch’s programming needs.
Monster Energy served as the main sponsor of S1, with on-site and digital branding integrated across every event and episode.

Monster Energy - Main Sponsor, On-Site & Digital Branding

League & Format (Seasonality)

  • Four divisions across North, East, South, West; standings updated weekly from June 2021 through playoffs in April 2022.
  • Regular season into a 16-man sudden-death playoff bracket; finalists compete for $100,000; semifinalists awarded $5,000 bonuses.
  • Salary-cap roster model enforced across all regions for fairness and parity (strict caps per artist, per rep, per season).

Judging Commission & Scoring Integrity

  • Commission curated and staffed weekly; 16 total judges in pool, 4 per season battle and 6 per playoff battle.
  • Standardized 10-point round scoring → Total Battle Score (TBS); live fan vote contributes 30–27 (≥75%) or 29–28 (<75%).
  • Judge performance ranked over time against aggregated fan vote to identify the most accurate evaluators for playoffs/finals.
  • Electronic scorecard submission and 1-minute decision clips integrated into the live broadcast flow.

Regional Reps, Contracts & Caps

  • Reps recruited and contracted to scout, sign and mentor 12 artists per division within hard salary caps (e.g., $2,000 → $250 tiers).
  • Rep responsibilities included artist onboarding (contracts + W-9), logistics triage, and event readiness with local production support.
  • Centralized ops: SOPs, budget controls, and approval workflows designed to keep parity and momentum across all regions.

Programming Model & Live Ops

  • City stops filmed six battles each: 3 broadcast live and 3 aired “as-live” the following weekend to maintain the schedule.
  • Weekly slate included faceoffs, recaps, and ancillary shows to help fulfill Twitch’s 40+ hours/month content target.
  • Rolling production crew, travel/accommodation management, and safety-first runbooks for lean, repeatable builds.
S1 on-set production still
Monster branding on KOTD S1 set

S1 Season Schedule

Weekly live cards, “as-live” programming, and editorial shows across four divisions — built to maintain a consistent 40-hour Twitch slate with front-page visibility and narrative continuity.

North South East West
Week 09
Aug 15
  • Reverse Live vs Stewie Newton W
  • The Saurus vs Cali Smoov W
  • Madflex vs Fate W
Week 10
Aug 22
  • Look Back Show Highlights & analysis
Week 11
Aug 29
  • Bill Collector vs Gauge E
  • Times vs Shotti P E
  • LL Coogi vs XQZ E
  • Math Hoffa vs Dre Dennis E
Week 12
Sept 5
  • Mackk Myron vs K-Shmoney N
  • Giddy vs Dallas Cash N
  • Stack Almighty vs 100 Shot Frenchie N
  • Cityy Towers vs Danja Zone N
Week 13
Sept 12
  • Match • South DivisionS
  • Match • South DivisionS
  • Match • South DivisionS
  • Match • West DivisionW
Week 14
Sept 19
  • Match • East DivisionE
  • Match • East DivisionE
  • Match • East DivisionE
  • Match • West DivisionW

Special Guests

Featuring ICE-T, Treach from Naughty By Nature & Immortal Technique, T-Pain & More

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