I built the most respected battle rap league in the world
From creative direction to artist management, global expansion, and digital innovation. King of the Dot isn’t just an event series. It became a platform, a community and a business that also grew into one of
the biggest movements in hip hop history.
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Back in 2008, battle rap had no real home. Events were far and few in between and lacked the organization and excitement I had perceived them to have as my younger self. After years of dominating the battle circuit internationally, I wanted to help others follow the same path. So, I hit the streets of Toronto, and started building something from nothing. What began as a small group of likeminded rappers in an alley off Yonge-Dundas grew into a global movement that changed the culture forever.
We had no sponsors, no funding, just heart and hunger. I wasn’t chasing trends. I was creating something special. Over the years, I helped take KOTD from alleyways to sold-out venues, from local talent to international legends and from a side hustle to a respected institution that inspired millions around the world.
We’ve had dozens of celebrities host our events. Our battlers have gone on to write Hollywood films based on their experiences. We brought in talent from every continent. And whether it was World Domination, Blackout, the Grand Prix or Season, every event was built with precision, passion, and purpose.
I didn’t follow anyone’s playbook. I carved a lane through resistance, doubt, and countless closed doors and in the process, helped create one of the biggest movements in hip hop history.
KOTD didn’t just change the battle rap world; it is battle rap.

King of the Dot’s brand identity was built with intention, raw, rooted, and reflective of the culture it came from. The original wordmark, designed in 2009, featured an angular, aggressive type treatment paired with a jagged maple leaf icon. Set above with the rallying tagline “Put Your Money Where Yo Mouth Iz”, the logo embodied the underground energy of Canada’s battle rap scene.
As the league scaled from alleyway battles to international tournaments and Twitch-fronted seasons the visual identity matured with it. I led the creative direction on the rebrand, refining the original mark into a cleaner, more intentional wordmark that still carried weight. The typography was custom-built: bold, balanced, and slightly forward-leaning to evoke motion and impact. The maple leaf remained, now subtly integrated into the "K" as a nod to our Canadian roots and cultural origin. The result was a scalable hero logo versatile across broadcast, apparel, web, and merch that honored the past while positioning us for the future.
To support the core wordmark, we introduced a lettermark as part of the secondary brand system. Internally referred to as the “Diamond K,” this compact symbol extracted the key brand elements the "K" and the maple leaf and housed them inside a diamond-shaped frame. Initially used for merch tags and iconography, it grew into a standalone emblem recognized throughout the culture. It now serves as our monogram, ideal for avatars, event overlays, or moments when the full wordmark isn’t needed but the presence still is.
Both logos work in tandem, the hero wordmark delivering authority and recognition, and the secondary lettermark adding flexibility and iconic shorthand. Together, they form a cohesive brand system that’s grown with KOTD's evolution from local league to global movement
The birth of a brand
Designer: K-Fresh
Year: 2008
Designer: Alex Freshline
Year: 2009
Designer: SFinks
Year: 2019
Lettermark
Designer: Jesse Galati
Year: 2014
Designer: SFinks
Year: 2019

Event Creative
Concept to Execution
KOTD’s 1000+ events are more than just battle cards; they are fully realized productions with their own cultural identity. In a highly competitive market, I created and developed recurring themed events that gave each show a distinct personality, built anticipation, and drove fan loyalty year after year. These concepts didn’t just fill venues; they generated storylines, merchandising opportunities, and unique marketing hooks that set KOTD apart from every other league in the world.
I built each theme from the ground up from creative direction and branding to venue selection, marketing strategy, and live execution. The result was a calendar of events that fans could instantly recognize and look forward to, helping take KOTD from a small Canadian league to a global powerhouse.
Over the years, I designed and executed some of the most celebrated formats in battle rap.
These events weren’t just battles, they were brand experiences. From concept to execution, every detail was designed to capture attention, create moments worth sharing, and keep KOTD ahead of the curve.
World Domination
THe Olympics of battle rap
World Domination was conceived as battle rap’s ultimate international stage a global summit where the best MCs from around the world competed under one banner. Branded as “The Olympics of Battle Rap,” the event became a cultural milestone, drawing elite talent from over 15 countries and showcasing a diversity of styles, languages, and regional influences rarely seen in the scene.
From a creative standpoint, the branding leaned heavily into international iconography flags, passports, and global mapping while the production embraced a large-scale, world-stage aesthetic. Every visual and promotional asset was built to reinforce the idea of a truly international competition, from teaser trailers and match announcement graphics to stage design and event merch.
This particular event concept positioned KOTD as the definitive global leader in battle rap, creating matchups that could only happen on our stage and attracting a worldwide fanbase eager to see cultures collide. World Domination didn’t just host battles it united the culture on a single platform, turning KOTD into the central meeting point for the world’s best.
Post Production Case Study
world domination event flyers

Blackout redefined how battle rap events could build anticipation and is widely regarded as one of the most iconic formats in the culture. I led the full creative in this flagship concept, no matchups are announced ahead of time. Instead, battles are revealed live at the venue using a giant, custom-built rolodex each spin unveiling the next opponent pairing in real time. This format turned the audience into active participants, generated massive social buzz, and eliminated match fatigue by keeping lineups secret until moments before they happened.
The mystery became a brand in itself, driving ticket sales, livestream buys, and social chatter at a scale unmatched by traditional announcements. Its cultural impact attracted major partnerships including Drake for Blackout 5 and high-profile guest hosts such as Raekwon from Wu-Tang Clan. Blackout’s exclusivity, suspense, and high production value cemented it as a fan-favorite series and a blueprint for creative event branding in battle rap
What is blackout ?
Post Production case study

blackout event flyers

I created Ganik vs Gully as the first-ever team vs. team themed event series in battle rap, pitting some of the most decorated veterans against the best talent from our Ground Zero farm system. The concept framed battle rap like a high-stakes sports rivalry each MC representing their squad, with bragging rights and pride on the line.
We used eye-catching, sports-inspired visuals to bring the format to life: custom player cards featuring each battler, bold team colors, and a running tally of wins throughout the event. The marketing campaign mirrored a championship face-off, building hype with roster reveals, stat-style breakdowns, and head-to-head promos.
The result was more than just a card of battles it was a cultural moment that blurred the lines between hip hop competition and sports entertainment, cementing Ganik vs Gully as one of KOTD’s most creative and engaging formats.
MASSacre
MASSacre is the KOTD’s east coast flagship brand for America. Built off the “MASS” in Massachusetts, it’s straight horror-coded: blood-red/black, distressed type, grain, venue / content dressed like a slasher film. Its grown to be on one of battle rap’s most sought-after stages after housing some of the most high profile match ups in battle rap history. We stack iconic names, hometown killers, and international headliners so the card reads like a movie poster. The content runs up millions of views across full battles, trailers, and clipped moments while the live shows remain packed. I run point on everything creative from card curation, venue, security, PR, merch, and, rollout and post production.

Event photos

Top 10 KOTD YouTube Releases
Ranked by total YouTube views • Channel: @KingOfTheDot • Updated Aug 16, 2025